The Wendmere

The Wendmere

The Wendmere

¶ The journal

Every essay, in one place

Three hundred and twelve essays, chronicles, how-tos and conversations since 2019. Search them, browse them by shield, or start with the newest.

Newest first

a bell on a stone building

Essays

The last bell foundry in England

For three hundred years one yard in the East End cast the bells of half the world. Then it went quiet. What a town loses when it stops making the loud things.

Maud Ellery

bread on brown wooden table

Chronicles

A year of medieval bread

I baked from a single 1390 household book every week for a year. The bread was better than I expected, and the rules around it were stranger.

Tobias Wren

white feather on black metal cup

Craft

Making oak-gall ink at home

The ink of Magna Carta and most medieval books is made from wasp-stung oak galls, rusty iron and gum. You can make a bottle this weekend.

Isolde Marr

white wooden fence on brown grass field during daytime

Field notes

Walking the old salt roads

Before canals and railways, salt left Cheshire on the backs of packhorses. Their roads are still there if you know which hedges to follow.

Hal Denby

fountain pen on black lined paper

Conversations

A calligrapher on forty years of ink

Agnes Ruddle has lettered certificates, gravestones and one royal charter. She still practises the alphabet every morning before she answers email.

Maud Ellery

brown wooden clothes pin on white surface

Essays

Why we stopped mending things

Our grandparents darned socks because they had to. We don’t, and something slipped away with the habit that had nothing to do with money.

Oona Pike

white and red book page

Chronicles

The monks who invented the footnote

Medieval readers argued in the margins. The tiny notes they left around the text became glosses, then commentaries, then the humble footnote.

Tobias Wren

Woodworking tools and blueprints organized on a dark workshop wall

Craft

Sharpening like a Victorian joiner

A Victorian apprentice spent his first month sharpening other men’s tools. Here is the routine he learned, and why it still works on a Sunday.

Hal Denby

a large cathedral with arches and a blue door

Field notes

Three days in a working scriptorium

A small community in the Welsh borders still copies books by hand. I spent three days at their desks and came home unable to rush a sentence.

Isolde Marr

¶ The archive · 36 titles shown · 312 in all

Search the archive

Every essay since 2019 on one page. Type a word, pick a category, and the titles that match are gilded.

The last bell foundry in England A year of medieval bread Making oak-gall ink at home Walking the old salt roads A calligrapher on forty years of ink Why we stopped mending things The monks who invented the footnote Sharpening like a Victorian joiner Three days in a working scriptorium In praise of the slow letter The ink recipe that outlived an empire Gilding with gesso and bole The baker who revived a 1390 loaf The bread ovens of Brittany What a cathedral knows about patience When London ran on candles Binding your first book by hand The last apprentice at the forge A night in a working lighthouse Against the infinite scroll A short history of the drop cap Cutting a quill from a goose feather A stonemason on reading a wall Where the last thatchers work The case for fewer, better tools The women of the Paris guilds Laying gold leaf without holding your breath The bookbinder who won’t use glue The bell towers of Norfolk On keeping a commonplace book The plague year that saved a library Forging a simple iron hook A beekeeper on medieval hives Iron and rain in the Forest of Dean The quiet economics of the village smith How red ink told readers where to look

¶ The five categories

Five ways in

Every post belongs to one of five categories, and each has its own coat of arms. Pick a shield and read everything under it.

Essays

Azure, a chevron Or

Long arguments for slow, well-made things.

Chronicles

Gules, a bend Or

History, told through the hands that made it.

Craft

Or, a fess Sable

Step by step: ink, gold, wood, iron and bread.

Field notes

Vert, a pale Or

Walks, workshops and the places still working.

Conversations

Purpure, a saltire Or

Long interviews with people who make things.

¶ The Thursday letter

One letter, every Thursday.

The week’s long read, one thing worth making, and a note from the margins. Free, no tracking pixels, and you can leave in one click.

18,400 readers in 61 countries. Sent at 7 a.m. your time.

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